If the editorial is the dream, the lookbook is the moment you wake up and look closely.
These images were made against a plain white wall, with nothing to distract from the clothes themselves. No coloured light, no scene, no set. Just the cut, the fabric and the way each piece sits on the body.
It’s where you can see the contradictions the collection was built on. Silk suit trousers constructed like jeans. A patent sweatshirt with full, gathered sleeves and tiny buttoned cuffs. A red silk jacket with black lapels, a tuxedo that refuses to be formal. A vest cut from transparent vinyl. Shine against matte, softness against stiffness, the noble next to the synthetic.
Every appliqué was laser-cut from silk, vinyl and reclaimed leather and sewn on by hand, and the offcuts became pockets and small finishes rather than waste.
Here is the collection, piece by piece.

















Collection and art direction: Laura Achrem
Photography: Klaudyna Młynarska
Assistant: Patrycja Biernaczyk
Make-up: Magdalena Sensmęcka
Models: Klaudia Żogała, Sonia Żogała
Graduation collection “Identity Decay – Artificial Worlds”, School of Form, SWPS University, Poznań, 2017.
See the same collection in film light in the Identity Decay editorial, or read what this thesis taught me nine years later in Identity Decay, on Notes on Eternity.
